Sixiu Tan, who works under the alias Mapys
Sixiu Tan, who works under the alias Mapys

Mapys Art World

Escaping from real world complexity and societal expectations, finding comfort in make believe dreamscape and the simple life, realizing emotions like fear, love and uncertainty.

About the artist

Sixiu Tan’s identity is defined by a distinct duality: the academic rigor of a National University of Singapore Design Lecturer, and the surrealist naivety of an artist operating under the alias Mapys.

Her practice Mapys Art World, begun in 2025, marks a return to fine art following a fifteen year career in commercial design, moving away from corporate constraints toward surrealist dreamscapes.

Current series

Pink Teddy and Panda

In her latest series, Mapys invites us into a visceral, non-linear exploration of the psyche through her primary protagonists: Pink Teddy and Panda. Using the raw, tactile language of dark surrealism and fantasy, Mapys navigates the turbulent waters of her own emotional world, casting Pink Teddy as her surrogate self.

Materials

By utilizing discarded cardboard, ink, oil pastels, and thick textural putty, Mapys mirrors the grit of reality. Her “dirty” color palette, rich, saturated and complexly mixed, defies traditional realism to capture the loose and often messy nature of human feeling.

Connection and disconnection

The relationship between Pink Teddy and Panda is the emotional anchor of the series. It is an atypical bond that blurs the lines between friendship, romantic love, and the protective safety of family.

PandaThe steadying force. The positive beau who offers a sanctuary from the artist’s internal storms.
Pink TeddyThe vessel for a spectrum of vulnerability, ranging from profound entrapment to whimsical escapism.

Collage

A key technical signature of this series is the use of collage. The characters are often cutouts, pasted onto the canvas as if they are separate from the world they inhabit, suggesting a disconnection between the artist’s intentions or dreams and the cold reality of the external world.

Ultimately, this series serves a purgative function. Mapys utilizes her art as a channel to externalise and empty her thoughts. Through the loosely depicted forms of a teddy and a panda, she invites the viewer to acknowledge their own melancholia and find the flying carpets hidden within their own dreams.

Chronology

b. 1985, Singapore

Exhibitions and awards

2003UOB Painting of the Year, Highly Commended, Singapore
2008Blueprint, group exhibition, Salone Milano. Furniture series In Conversation
2026Finalist, Emerging Artist Category, UOB Painting of the Year, Singapore
2026UOB Artbeat Exhibition, Singapore
2026Canvas in Contrast, Great World City, Singapore

Education

2007GCSE A Levels, Art, National Junior College
2008BA, Industrial Design, National University of Singapore
2007Exchange scholarship, Politecnico di Torino
2009MDes (Distinction), Advanced Design Practices, Hong Kong Polytechnic University
2025Intro to art therapy, Lasalle College of the Arts

Practice

2008Designer artist, Singapore National Day Parade, Spark interactive toy
2009Designer, DFS Group, LVMH
2013–15Senior Designer, Fitch
2015–18Visual Merchandising Manager, Estée Lauder Companies
2019–23Associate Design Director, Razer Inc
2020Adjunct teaching, Division of Industrial Design, National University of Singapore
2025Returns to fine art as Mapys. Begins the Panda and Pink Teddy series